Crynodeb
2013 was a sanguine year for Cuba’s film industry. 4 years after the institution’s 50th anniversary in 2009, a year in which the number of films produced reached its highest level since 1990, Cuban national cinema finds itself in a very difficult period of change and uncertainty about its future, that some critics have called a crisis and others a transition. As Cuban writer and film critic Juan Antonio García Borrero (2013:16) points out, the filmmakers stated that the ICAIC should no longer be the sole arbiter and representative of Cuban cinema in a changing world. How does Cuba now negotiate the cultural tightrope that is the logic of cultural domination in a changing audiovisual landscape of digital production and flash drive distribution?
Iaith wreiddiol | Saesneg |
---|---|
Statws | Cyhoeddwyd - 08 Medi 2016 |
Digwyddiad | Cuba Research Forum: Annual Conference - University of Nottingham, Nottingham, Teyrnas Unedig Prydain Fawr a Gogledd Iwerddon Hyd: 06 Medi 2016 → 08 Medi 2016 https://www.nottingham.ac.uk/clas/documents/acs/cuba-research-forum-annual-conference-2016-programme.pdf |
Cynhadledd
Cynhadledd | Cuba Research Forum |
---|---|
Gwlad/Tiriogaeth | Teyrnas Unedig Prydain Fawr a Gogledd Iwerddon |
Dinas | Nottingham |
Cyfnod | 06 Medi 2016 → 08 Medi 2016 |
Cyfeiriad rhyngrwyd |