Cuban Cinema: Crisis or Transition

Allbwn ymchwil: Cyfraniad at gynhadleddPapuradolygiad gan gymheiriaid


2013 was a sanguine year for Cuba’s film industry. 4 years after the institution’s 50th anniversary in 2009, a year in which the number of films produced reached its highest level since 1990, Cuban national cinema finds itself in a very difficult period of change and uncertainty about its future, that some critics have called a crisis and others a transition. As Cuban writer and film critic Juan Antonio García Borrero (2013:16) points out, the filmmakers stated that the ICAIC should no longer be the sole arbiter and representative of Cuban cinema in a changing world. How does Cuba now negotiate the cultural tightrope that is the logic of cultural domination in a changing audiovisual landscape of digital production and flash drive distribution?
Iaith wreiddiolSaesneg
StatwsCyhoeddwyd - 08 Medi 2016
DigwyddiadCuba Research Forum: Annual Conference - University of Nottingham, Nottingham, Teyrnas Unedig Prydain Fawr a Gogledd Iwerddon
Hyd: 06 Medi 201608 Medi 2016


CynhadleddCuba Research Forum
Gwlad/TiriogaethTeyrnas Unedig Prydain Fawr a Gogledd Iwerddon
Cyfnod06 Medi 201608 Medi 2016
Cyfeiriad rhyngrwyd

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