Prosiectau fesul blwyddyn
This paper examines the preservation and curatorial approaches explored for the exhibition Silent Explosion: Ivor Davies and Destruction in Art at Amgueddfa Cymru – National Museum Wales (November 2015–March 2016). The collaboration between the artist, curator/researcher, and conservators is considered and the evolving and flexible way in which transient pieces were presented/re-presented is described. The paper offers a case study in the context of this exhibition and argues that regardless of whether it is in traditional media (such as painting) or as time-based media (unstable and open to interpretation), Davies' work challenges a perception of artworks as finished, single-authored objects
Ôl bysGweld gwybodaeth am bynciau ymchwil 'Curation, conservation, and the artist in Silent Explosion: Ivor Davies and Destruction in Art'. Gyda’i gilydd, maen nhw’n ffurfio ôl bys unigryw.
- 1 Wedi Gorffen
Do Networks Have Margins? Locating the Avant-garde of the 1960s: The Performance Works of Ivor Davies at Amgueddfa Cymru-National Museum Wales
01 Hyd 2013 → 30 Medi 2016
Prosiect: Ymchwil a ariannwyd yn allanol