Riders have spoken: Replaying and archiving pervasive performances

Alan Chamberlain; Duncan Rowland; Jonathan Foster; Gabriella Giannachi

doi:10.1162/leon.2010.43.1.90

Riders have spoken: Replaying and archiving pervasive performances

Alan Chamberlain^*
, Duncan Rowland
, Jonathan Foster
, Gabriella Giannachi

^*Awdur cyfatebol y gwaith hwn

Adran Seicoleg

University of Nottingham
University of Sheffield
University of Exeter

Allbwn ymchwil: Cyfraniad at gyfnodolyn › Erthygl › adolygiad gan gymheiriaid

7 Dyfyniadau (Scopus)

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In this paper we present a practical study that formed part of the larger Creator project [1]. Data, such as GPS trails, video and audio files from a pervasive-performance were used to explore multidisciplinary understandings of such 'ephemeral' pieces. Video and audio content tagging was also explored as a device to aid in developing the archive for replay. It is recommended that projects involving artistic practice should make documentation and subsequent archiving part of their overall research strategy.

Iaith wreiddiol	Saesneg
Tudalennau (o-i)	90-91
Nifer y tudalennau	2
Cyfnodolyn	Leonardo
Cyfrol	43
Rhif cyhoeddi	1
Dynodwyr Gwrthrych Digidol (DOIs)	https://doi.org/10.1162/leon.2010.43.1.90
Statws	Cyhoeddwyd - Chwef 2010

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10.1162/leon.2010.43.1.90

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Riders have spoken: Replaying and archiving pervasive performances

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