Tragedy, Immanence and the Persistence of Semblance

Karoline Gritzner

Allbwn ymchwil: Cyfraniad at gyfnodolynErthygladolygiad gan gymheiriaid

143 Wedi eu Llwytho i Lawr (Pure)

Crynodeb

The form of tragedy has been central to philosophical projects since classical antiquity, and it gained special critical import as a result of the so-called ‘tragic turning within philosophy’ during the Romantic period of German Idealism (see Beistegui 2000). The aim of this article is to address the notion of aesthetic appearance (semblance, Schein) within aesthetic theory (Theodor W. Adorno) and in Howard Barker's theatre. The article shows that the problem of semblance re-appears as a productive critical category in the current discourse of performance philosophy.
Iaith wreiddiolSaesneg
Tudalennau (o-i)126-132
Nifer y tudalennau7
CyfnodolynPerformance Philosophy
Cyfrol1
Rhif cyhoeddi1
Dynodwyr Gwrthrych Digidol (DOIs)
StatwsCyhoeddwyd - 2015

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