Tragedy, Immanence and the Persistence of Semblance

Karoline Gritzner

doi:10.21476/PP.2015.119

Tragedy, Immanence and the Persistence of Semblance

Karoline Gritzner

Adran Astudiaethau Theatr, Ffilm a Theledu

Allbwn ymchwil: Cyfraniad at gyfnodolyn › Erthygl › adolygiad gan gymheiriaid

158 Wedi eu Llwytho i Lawr (Pure)

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The form of tragedy has been central to philosophical projects since classical antiquity, and it gained special critical import as a result of the so-called ‘tragic turning within philosophy’ during the Romantic period of German Idealism (see Beistegui 2000). The aim of this article is to address the notion of aesthetic appearance (semblance, Schein) within aesthetic theory (Theodor W. Adorno) and in Howard Barker's theatre. The article shows that the problem of semblance re-appears as a productive critical category in the current discourse of performance philosophy.

Iaith wreiddiol	Saesneg
Tudalennau (o-i)	126-132
Nifer y tudalennau	7
Cyfnodolyn	Performance Philosophy
Cyfrol	1
Rhif cyhoeddi	1
Dynodwyr Gwrthrych Digidol (DOIs)	https://doi.org/10.21476/PP.2015.119
Statws	Cyhoeddwyd - 2015

Mynediad at Ddogfen

10.21476/PP.2015.119Trwydded: CC BY-NC-SA

Tragedy, Immanence and the Persistency of SemblanceFersiwn derfynol wedi’i chyhoeddi, 251 KBTrwydded: CC BY-NC-SA

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Dolen barhaus

Ffeiliau eraill a chysylltiadau

http://hdl.handle.net/2160/30604

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Tragedy, Immanence and the Persistence of Semblance

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Mynediad at Ddogfen

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Ffeiliau eraill a chysylltiadau

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