Research output per year
Research output per year
- 1 - 50 out of 56 results
Search results
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2020
Report from…Wales The Ever After Project: Considering theatre and performance in the era of Covid-19
Filmer, A., Brookes, M., Pearson, M. & Laughlin, Z., 23 Dec 2020, In: Theatre and Performance Design. 6, 4, p. 383-393 11 p.Research output: Contribution to journal › Review article
Open AccessFile20 Downloads (Pure) -
2019
El cielo era más claro en aquellos días…
Translated title of the contribution :The sky was clearer in those days… Research output: Non-textual form › Performance
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2018
Prototipoak 2018: …Eta egiten ditugun gauzak / ...Y las cosas que hacemos
Brookes, M. & Casado, R., 31 May 2018Research output: Non-textual form › Exhibition
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Quiet, too quiet, but not silent
Brookes, M. & Casado, R., 2018Research output: Non-textual form › Performance
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2016
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Grey line [twilight]
Brookes, M. & Casado, R., Oct 2016Research output: Non-textual form › Performance
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Just a little bit of history repeating
Brookes, M. J. & Casado, R., 2016Research output: Non-textual form › Performance
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2015
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What if everything we know is wrong?
Casado, R. & Brookes, M. J., 28 May 2015Research output: Non-textual form › Performance
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2014
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2013
Greetings from Salina / crossroads of the nation
Brookes, M. & Casado, R., Sept 2013Research output: Non-textual form › Performance
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Historic parking lots of Providence / introduced birdsong
Brookes, M. & Casado, R., Oct 2013Research output: Non-textual form › Performance
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Paul Bright's Confessions of a Justified Sinner
Brookes, M. J., 14 Jun 2013Research output: Non-textual form › Design
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Providence Cove Walk / a shoreline no longer there
Brookes, M. & Casado, R., 19 Oct 2013Research output: Non-textual form › Performance
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The Perfect Human (and the things we do): A performance research project considering how a performance event can be sustained through individual acts of genuinely daily behaviour. The project is constituted as a series of context specific performance and installation works, each performed with 20-30 self-selecting participants from the locale, and taking its initial dramaturgical structure from the script of Jorgen Leth’s 1967 film 'the perfect human'.
Brookes, M. J. & Casado, R., 2013Research output: Non-textual form › Performance
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2012
Coriolan/us: A production of Shakespeare’s Coriolanus (incorporating texts from Bertolt Brecht’s Coriolan) commissioned by National Theatre Wales (NTW) in association with the Royal Shakespeare Company (RSC) for the World Shakespeare Festival/London 2012 Cultural Olympiad.
Brookes, M. J. & Pearson, M. J., Aug 2012Research output: Non-textual form › Performance
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One thing leads to another
Brookes, M. J. & Casado, R., 2012Research output: Non-textual form › Performance
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2011
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Euskalduna Shipyards
Brookes, M. & Casado, R., Nov 2011Research output: Non-textual form › Performance
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2010
Alexandra Gardens Bandstand
Brookes, M. & Casado, R., Sept 2010Research output: Non-textual form › Performance
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Something happening / snapshot: The project is constituted as a series of located interventions, each conceived to create a situation-specific event in public space. The work explores the ways in which direct artistic intervention can be used to generate located meetings in social space and what might be revealed within an artistic event shaped and sustained purely by the participation, or non-participation, of its audience.
Brookes, M. J. & Casado, R., 2010Research output: Non-textual form › Performance
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The Persians: A production of a new version of Aeschylus’s The Persians: presented in the opening programme of National Theatre Wales (NTW). It involved the convergence of the approaches of site-specific work and of attendant devised performance and physical theatre, with those of scripted drama and conventions of stage practice; the application of advanced media and technology in a landscape setting; and levels of involvement for audiences in restricted contexts, outside the constraints of public licensing
Pearson, M. J., Brookes, M. & Banham, S. J., 11 Aug 2010Research output: Non-textual form › Performance
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2009
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Some things happen all at once: Performance work which seeks to question the embodiment of notions of sustainability and in what ways an individual spectator could choose to generate the power necessary to animate or influence the work. The central motif of the performance is the construction and decay of a model forest made entirely of ice
Brookes, M. J. & Casado, R., 2009Research output: Non-textual form › Performance
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Welsh Landscapes (tellings)
Pearson, M. J. & Brookes, M. J., 18 Jun 2009Research output: Non-textual form › Performance
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2008
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The Acts – Vigia
Greenhalgh, J., Brookes, M., Sanchez Portillo, M. & Nightingale, C., 28 Mar 2008Research output: Non-textual form › Performance
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well-being / welfare
Brookes, M. J. & Casado, R., 2008Research output: Non-textual form › Performance
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2007
The Articulate Practitioner – Articulating Practice
Greenhalgh, J. & Brookes, M., 2007Research output: Non-textual form › Digital or Visual Products
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2006
Paradise 2 (the incessant sound of a falling tree)
Brookes, M. & Casado, R., 2006Research output: Non-textual form › Performance
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2005
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2004
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Las Sin Tierra (7 attempted crossings of the Straits)
Greenhalgh, J., Brookes, M. & Casado, R., 2004Research output: Non-textual form › Performance
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There's someone in the house
Brookes, M. & Pearson, M. J., 2004Research output: Non-textual form › Performance
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Who are you looking at?
Brookes, M. J., Pearson, M. J. & Thomas, E., 2004Research output: Non-textual form › Performance