'Accompanied by Ghosts': The Changing Uses of the Past in Sarah Waters's Lesbian Fiction

Natasha Alden

doi:10.1057/978-1-137-50608-5_4

'Accompanied by Ghosts': The Changing Uses of the Past in Sarah Waters's Lesbian Fiction

Natasha Alden

Department of English & Creative Writing

Research output: Chapter in Book/Report/Conference proceeding › Chapter

3 Citations (Scopus)

Original language	English
Title of host publication	Sarah Waters and Contemporary Feminisms
Editors	Adele Jones, Claire O'Callaghan
Publisher	Springer Nature
Pages	61-78
ISBN (Electronic)	9781137506085
ISBN (Print)	9781137506078
DOIs	https://doi.org/10.1057/978-1-137-50608-5_4
Publication status	Published - 08 Aug 2016

Access to Document

10.1057/978-1-137-50608-5_4

Permanent link

Persistent link

Cite this

@inbook{4b69f11530d74308b7a72f9a7f0ef6a6,

title = "'Accompanied by Ghosts': The Changing Uses of the Past in Sarah Waters's Lesbian Fiction",

author = "Natasha Alden",

year = "2016",

month = aug,

day = "8",

doi = "10.1057/978-1-137-50608-5\_4",

language = "English",

isbn = "9781137506078",

pages = "61--78",

editor = "Adele Jones and Claire O'Callaghan",

booktitle = "Sarah Waters and Contemporary Feminisms",

publisher = "Springer Nature",

address = "Switzerland",

}

TY - CHAP

T1 - 'Accompanied by Ghosts'

T2 - The Changing Uses of the Past in Sarah Waters's Lesbian Fiction

AU - Alden, Natasha

PY - 2016/8/8

Y1 - 2016/8/8

UR - http://hdl.handle.net/2160/43542

U2 - 10.1057/978-1-137-50608-5_4

DO - 10.1057/978-1-137-50608-5_4

M3 - Chapter

SN - 9781137506078

SP - 61

EP - 78

BT - Sarah Waters and Contemporary Feminisms

A2 - Jones, Adele

A2 - O'Callaghan, Claire

PB - Springer Nature

ER -

'Accompanied by Ghosts': The Changing Uses of the Past in Sarah Waters's Lesbian Fiction

Access to Document

Permanent link

Other files and links

Tasha Alden

Cite this

'Accompanied by Ghosts': The Changing Uses of the Past in Sarah Waters's Lesbian Fiction

Access to Document

Permanent link

Other files and links

Profiles

Tasha Alden

Cite this