Das Ereignis als Evidenz, die Evidenz als Ereignis: Zur Geschichtsschreibung der Performance Art

Heike Roms

Das Ereignis als Evidenz, die Evidenz als Ereignis: Zur Geschichtsschreibung der Performance Art

Translated title of the contribution: Event as Evidence, Evidence as Event: On the Historiography of Performance Art

Heike Roms

Department of Theatre, Film and Television Studies

Research output: Contribution to journal › Article › peer-review

Abstract

This paper presents a current research project that attempted to approach the history of performance art using performative approaches, especially those of the oral history. The focus is on the question in which way such approaches produce historical evidence and set the scene. Even such a performative appropriation of performance history always remains dependent on the artifacts of the archive and generates artifacts in return again received into the archive.

Translated title of the contribution	Event as Evidence, Evidence as Event: On the Historiography of Performance Art
Original language	German
Journal	MAP- Media, Archive,Performance
Issue number	2
Publication status	Published - 01 Jun 2010

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title = "Das Ereignis als Evidenz, die Evidenz als Ereignis: Zur Geschichtsschreibung der Performance Art",

abstract = "This paper presents a current research project that attempted to approach the history of performance art using performative approaches, especially those of the oral history. The focus is on the question in which way such approaches produce historical evidence and set the scene. Even such a performative appropriation of performance history always remains dependent on the artifacts of the archive and generates artifacts in return again received into the archive.",

author = "Heike Roms",

note = "German translation of output 'Eventful Evidence', published by online performance journal MAP; also includes republication of English original. ",

year = "2010",

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journal = "MAP- Media, Archive,Performance",

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N1 - German translation of output 'Eventful Evidence', published by online performance journal MAP; also includes republication of English original.

PY - 2010/6/1

Y1 - 2010/6/1

N2 - This paper presents a current research project that attempted to approach the history of performance art using performative approaches, especially those of the oral history. The focus is on the question in which way such approaches produce historical evidence and set the scene. Even such a performative appropriation of performance history always remains dependent on the artifacts of the archive and generates artifacts in return again received into the archive.

AB - This paper presents a current research project that attempted to approach the history of performance art using performative approaches, especially those of the oral history. The focus is on the question in which way such approaches produce historical evidence and set the scene. Even such a performative appropriation of performance history always remains dependent on the artifacts of the archive and generates artifacts in return again received into the archive.

UR - http://hdl.handle.net/2160/44058

M3 - Erthygl

SN - 2191-0901

JO - MAP- Media, Archive,Performance

JF - MAP- Media, Archive,Performance

IS - 2

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Das Ereignis als Evidenz, die Evidenz als Ereignis: Zur Geschichtsschreibung der Performance Art

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Eventful Evidence: Historicising Performance Art

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