Abstract
This article takes as its starting point five collaborative experimental films by choreographer Chris Haring and filmmaker Mara Mattuschka. Transposing live stage performances into self-contained cinematic worlds, these works represent compelling examples of intermedial exchange. The article draws on intermedial discourse, performance theory, dance film, and theories of space, body, and voice to illustrate how the films self-consciously stage their own process of transformation through an emphasis on the physical, sensual, and metaphorical spaces between
Original language | English |
---|---|
Pages (from-to) | 89-112 |
Number of pages | 24 |
Journal | Cinema Journal |
Volume | 57 |
Issue number | 2 |
DOIs | |
Publication status | Published - 01 Dec 2018 |
Fingerprint
Dive into the research topics of 'Film, Performance and the Spaces Between: The Collaborative Works of Mara Mattuschka and Chris Haring'. Together they form a unique fingerprint.Profiles
-
Kim Knowles
- Department of Theatre, Film and Television Studies - Senior Lecturer in Alternative and Experimental Film, Head of Department (TFTS), Head of Department (Theatre, Film & Television Studies)
Person: Teaching And Research, Other