Film, Performance and the Spaces Between: The Collaborative Works of Mara Mattuschka and Chris Haring

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Abstract

This article takes as its starting point five collaborative experimental films by choreographer Chris Haring and filmmaker Mara Mattuschka. Transposing live stage performances into self-contained cinematic worlds, these works represent compelling examples of intermedial exchange. The article draws on intermedial discourse, performance theory, dance film, and theories of space, body, and voice to illustrate how the films self-consciously stage their own process of transformation through an emphasis on the physical, sensual, and metaphorical spaces between
Original languageEnglish
Pages (from-to)89-112
Number of pages24
JournalCinema Journal
Volume57
Issue number2
DOIs
Publication statusPublished - 01 Dec 2018

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