How Artists Improvise and Provoke Robotics

Steve Benford*, Rachael Garrett, Eike Schneiders, Paul Tennent, Alan Chamberlain, Juan Avila, Pat Brundell, Simon Castle-Green

*Corresponding author for this work

Research output: Chapter in Book/Report/Conference proceedingConference Proceeding (ISBN)

Abstract

We explore transdisciplinary collaborations between artists and roboticists across a portfolio of artworks. Brendan Walker's Broncomatic was a breath controlled mechanical rodeo bull ride. Blast Theory's Cat Royale deployed a robot arm to play with a family of three cats for twelve days. Different Bodies is a prototype improvised dance performance in which dancers with disabilities physically manipulate two mirrored robot arms. We reflect on these to explore how artists shape robotics research through the two key strategies of improvisation and provocation. Artists are skilled at improvising extended robot experiences that surface opportunities for technology-focused design, but which also require researchers to improvise their research processes. Artists may provoke audiences into reflecting on the societal implications of robots, but at the same time challenge the established techno-centric concepts, methods and underlying epistemology of robotics research.
Original languageEnglish
Title of host publicationSocial Robotics
EditorsOskar Palinko, Leon Bodenhagen, John-John Cabibihan, Kerstin Fischer, Selma Šabanović, Katie Winkle, Laxmidhar Behera, Shuzhi Sam Ge, Dimitrios Chrysostomou, Wanyue Jiang, Hongsheng He
Place of PublicationSingapore
PublisherSpringer Nature
Pages66-77
Number of pages12
ISBN (Print)978-981-96-3525-2
DOIs
Publication statusPublished - 25 Mar 2025

Publication series

NameLecture Notes in Computer Science
Volume15563

Keywords

  • art
  • social robotics
  • improvisation
  • provocation

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