Like an endless stream of lava and love? Mnemonic Re-Enactment, Autobiography and the postcolonial Politics of Performance in Trevor D. Rhones's Bellas Gate Boy

S. Sorgel

Like an endless stream of lava and love? Mnemonic Re-Enactment, Autobiography and the postcolonial Politics of Performance in Trevor D. Rhones's Bellas Gate Boy

S. Sorgel

Department of Theatre, Film, and Television Studies

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Original language	English
Title of host publication	Auto/Biography and Mediation
Editors	A. Hornung
Publisher	Universitätsverlag Winter
Publication status	Published - 01 May 2010

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@inbook{775af097924a43c38a1d125f5bf88ae6,

title = "Like an endless stream of lava and love? Mnemonic Re-Enactment, Autobiography and the postcolonial Politics of Performance in Trevor D. Rhones's Bellas Gate Boy",

author = "S. Sorgel",

year = "2010",

month = may,

day = "1",

language = "English",

editor = "A. Hornung",

booktitle = "Auto/Biography and Mediation",

publisher = "Universit{\"a}tsverlag Winter",

address = "Germany",

}

Like an endless stream of lava and love? Mnemonic Re-Enactment, Autobiography and the postcolonial Politics of Performance in Trevor D. Rhones's Bellas Gate Boy

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