Like an endless stream of lava and love? Mnemonic Re-Enactment, Autobiography and the postcolonial Politics of Performance in Trevor D. Rhones's Bellas Gate Boy

S. Sorgel

Like an endless stream of lava and love? Mnemonic Re-Enactment, Autobiography and the postcolonial Politics of Performance in Trevor D. Rhones's Bellas Gate Boy

S. Sorgel

Department of Theatre, Film, and Television Studies

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Original language	English
Title of host publication	Auto/Biography and Mediation
Editors	A. Hornung
Publisher	Universitaetsverlag Winter Heidelberg
Publication status	Published - 01 May 2010

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title = "Like an endless stream of lava and love? Mnemonic Re-Enactment, Autobiography and the postcolonial Politics of Performance in Trevor D. Rhones's Bellas Gate Boy",

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UR - http://hdl.handle.net/2160/9735

M3 - Chapter

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ER -

Like an endless stream of lava and love? Mnemonic Re-Enactment, Autobiography and the postcolonial Politics of Performance in Trevor D. Rhones's Bellas Gate Boy

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