TY - JOUR
T1 - Liminal Identities
T2 - The London Reader’s Mrs. Larkall’s Boarding School (1864) and the Silhouette of Sensation
AU - Butler-Way, Emma
PY - 2024/6/28
Y1 - 2024/6/28
N2 - In the first half of 1864, The London Reader serialised a sensational story attributed only to “the author of Man and his Idol,” which takes the reader on a whirlwind journey from the south coast of England, through continental Europe, and back again as a character is pursued by a “nameless terror.” That character is Gertrude Norman, and the story is Mrs Larkall’s Boarding School. The aim of this article is twofold: firstly, to begin a process of literary excavation, and offer an introduction to the story and some of the key plot points; secondly, to offer an analysis of the character of Gertrude Norman. This exploration will consider the role of girls’ education in constructing a Victorian woman, and ask how the genealogy between Gertrude and earlier sensation heroines such as M.E. Braddon’s Aurora Floyd, and Wilkie Collins’s Marian Halcombe and Magdalen Vanstone, and later figures such as Rhoda Broughton’s Kate Chester, and Florence Marryat’s Helene Treherne and Elfrida Salisbury works alongside that education to create a character who exists in a state of flux, a liminal being within her own narrative, and within the wider environment of sensation fiction of the 1860s.
AB - In the first half of 1864, The London Reader serialised a sensational story attributed only to “the author of Man and his Idol,” which takes the reader on a whirlwind journey from the south coast of England, through continental Europe, and back again as a character is pursued by a “nameless terror.” That character is Gertrude Norman, and the story is Mrs Larkall’s Boarding School. The aim of this article is twofold: firstly, to begin a process of literary excavation, and offer an introduction to the story and some of the key plot points; secondly, to offer an analysis of the character of Gertrude Norman. This exploration will consider the role of girls’ education in constructing a Victorian woman, and ask how the genealogy between Gertrude and earlier sensation heroines such as M.E. Braddon’s Aurora Floyd, and Wilkie Collins’s Marian Halcombe and Magdalen Vanstone, and later figures such as Rhoda Broughton’s Kate Chester, and Florence Marryat’s Helene Treherne and Elfrida Salisbury works alongside that education to create a character who exists in a state of flux, a liminal being within her own narrative, and within the wider environment of sensation fiction of the 1860s.
U2 - 10.46911/XDPV6887
DO - 10.46911/XDPV6887
M3 - Article
SN - 2632-4253
VL - 6
SP - 117
EP - 130
JO - Victorian Popular Fictions
JF - Victorian Popular Fictions
IS - 1
ER -