Literary Ghosts from the Victorians to Modernism: The Haunting Interval

Research output: Book/ReportBook

16 Citations (SciVal)

Abstract

This book resituates the ghost story as a matter of literary hospitality and as part of a vital prehistory of modernism, seeing it not as a quaint neo-gothic ornament, but as a powerful literary response to the technological and psychological disturbances that marked the end of the Victorian era. Linking little-studied authors like M. R. James and May Sinclair to such canonical figures as Dickens, Henry James, Woolf, and Joyce, Thurston argues that the literary ghost should be seen as no mere relic of gothic style but as a portal of discovery, an opening onto the central modernist problem of how to write ‘life itself.’ Ghost stories are split between an ironic, often parodic reference to Gothic style and an evocation of ‘life itself,’ an implicit repudiation of all literary style. Reading the ghost story as both a guest and a host story, this book traces the ghost as a disruptive figure in the ‘hospitable’ space of narrative from Maturin, Poe and Dickens to the fin de siècle, and then on into the twentieth century.
Original languageEnglish
PublisherTaylor & Francis
Number of pages202
ISBN (Electronic)9781136282485, 9780203112496
ISBN (Print)9780415509664
DOIs
Publication statusPublished - 25 May 2012

Publication series

NameRoutledge Studies in Twentieth Centrury Literature
PublisherRoutledge

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