Abstract
The process of abstraction entailed in theorising models of justice has famously fed the elision of personal and institutional ethics. In Howards End, Forster, through fiction, produces a developed examination of the necessary linkage between the worlds of the abstract and the contingent, a linkage epitomised by his injunction to “only connect.”
| Original language | English |
|---|---|
| Pages (from-to) | 253-280 |
| Journal | Law & Literature |
| Volume | 18 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - 2006 |