Abstract
As the participant generation passes away, the current moment of Second
World War cultural memory is suffused with a sense of an imminent ending
and of our passing into a new phase of engagement beyond living memory, a
phase which – so it is often held – will be the poorer for lacking the validating
presence of first hand witnesses; it may even constitute a kind of closure. This
essay takes this observation as a point of departure for a wider exploration of this contemporary landscape of remembrance which, it is argued, is peculiarly and multiply fraught with anxieties about authenticity. It begins by discussing how the steady disappearance of the participant generation serves as a foundation for this anxiety, looking at how it has helped to fuel particular sorts of mnemonic activity as part and parcel of a post-Cold War boom in Second World War remembrance. It then explores some wider aspects of that remembrance which are generating new concerns about authenticity and interrogating it in novel terms. Finally, it makes the case for what can be gained by viewing contemporary Second World War cultural memory through this particular lens and sets out a research agenda for the future.
World War cultural memory is suffused with a sense of an imminent ending
and of our passing into a new phase of engagement beyond living memory, a
phase which – so it is often held – will be the poorer for lacking the validating
presence of first hand witnesses; it may even constitute a kind of closure. This
essay takes this observation as a point of departure for a wider exploration of this contemporary landscape of remembrance which, it is argued, is peculiarly and multiply fraught with anxieties about authenticity. It begins by discussing how the steady disappearance of the participant generation serves as a foundation for this anxiety, looking at how it has helped to fuel particular sorts of mnemonic activity as part and parcel of a post-Cold War boom in Second World War remembrance. It then explores some wider aspects of that remembrance which are generating new concerns about authenticity and interrogating it in novel terms. Finally, it makes the case for what can be gained by viewing contemporary Second World War cultural memory through this particular lens and sets out a research agenda for the future.
| Original language | English |
|---|---|
| Pages (from-to) | 154-170 |
| Number of pages | 17 |
| Journal | Rethinking History |
| Volume | 21 |
| Issue number | 2 |
| Early online date | 04 May 2017 |
| DOIs | |
| Publication status | Published - 15 May 2017 |
Keywords
- Second World War
- authenticity
- remembrance
- living memory
- post-Cold War
- norms
- technology
- reflexivity
Fingerprint
Dive into the research topics of 'Politics and technologies of authenticity: The Second World War at the close of living memory'. Together they form a unique fingerprint.Profiles
-
Authenticity: Reading, Remembering, Performing
Finney, P., 25 Sept 2018, Taylor & Francis. 198 p.Research output: Book/Report › Edited book
-
Authenticity
Finney, P. (Editor), 04 May 2017, In: Rethinking History. 21, 2, p. 131-309Research output: Contribution to journal › Special Issue › peer-review
-
Introduction
Finney, P., 04 May 2017, In: Rethinking History. 21, 2, p. 131-134 4 p.Research output: Contribution to journal › Article › peer-review
Open AccessFile1 Citation (Scopus)31 Downloads (Pure)
Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver