@inbook{ceb90060e85f4ebd81bb5f8167d4a08f,
title = "Process and Perception",
abstract = "In his overview of the artisanal film movement, Chris Gehman argues that experimental cinema has always been defined by its emphasis on alternative models of production, favouring individual, hands-on approaches to the large-scale industrial processes of commercial cinema.",
author = "Kim Knowles",
note = "Funding Information: 57. Not (a) Part emerged out of an interdisciplinary research project funded by The Brigstow Institute at the University of Bristol. Geographer Merle Pratchett (University of Bristol), literary scholar Rachel Murray (Lough-borough University and Smith collaborated over the course of a year to bring together apiculture, modernist language and filmic practice in an examination of how animated film might engage with the issue of envi-ronmental decline and its impact on flying insect populations. See Vicky Smith, {\textquoteleft}Not (a) Part: Handmade Animation, Materialism and the Pho-togram Film{\textquoteright}, The International Journal of Creative Media Research, Issue 2, September 2019: https://www.creativemediaresearch.org/post/not-a-part-handmade-animation-materialism-and-the-photogram-film (accessed 11 March 2020). Publisher Copyright: {\textcopyright} 2020, The Author(s).",
year = "2020",
doi = "10.1007/978-3-030-44309-2_3",
language = "English",
isbn = "9783030443085",
series = "Experimental Film and Artists' Moving Image",
publisher = "Springer Nature",
pages = "71--136",
booktitle = "Experimental Film and Photochemical Practices",
address = "Switzerland",
}