Riders have spoken: Replaying and archiving pervasive performances

Alan Chamberlain; Duncan Rowland; Jonathan Foster; Gabriella Giannachi

doi:10.1162/leon.2010.43.1.90

Riders have spoken: Replaying and archiving pervasive performances

Alan Chamberlain^*
, Duncan Rowland
, Jonathan Foster
, Gabriella Giannachi

^*Corresponding author for this work

Department of Psychology

Research output: Contribution to journal › Article › peer-review

7 Citations (Scopus)

Abstract

In this paper we present a practical study that formed part of the larger Creator project [1]. Data, such as GPS trails, video and audio files from a pervasive-performance were used to explore multidisciplinary understandings of such 'ephemeral' pieces. Video and audio content tagging was also explored as a device to aid in developing the archive for replay. It is recommended that projects involving artistic practice should make documentation and subsequent archiving part of their overall research strategy.

Original language	English
Pages (from-to)	90-91
Number of pages	2
Journal	Leonardo
Volume	43
Issue number	1
DOIs	https://doi.org/10.1162/leon.2010.43.1.90
Publication status	Published - Feb 2010

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AB - In this paper we present a practical study that formed part of the larger Creator project [1]. Data, such as GPS trails, video and audio files from a pervasive-performance were used to explore multidisciplinary understandings of such 'ephemeral' pieces. Video and audio content tagging was also explored as a device to aid in developing the archive for replay. It is recommended that projects involving artistic practice should make documentation and subsequent archiving part of their overall research strategy.

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Riders have spoken: Replaying and archiving pervasive performances

Abstract

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