Abstract
An exploratory inquiry into the role and function of scenography, how it can be used to shape and encourage a relational interaction that breeches any division between stage and auditorium. This inquiry was centred around the large-scale participatory theatre work ‘Summer. Autumn. Winter. Spring.’ – a combined quartet of four separate staged works, created and produced by Quarantine (UK) between 2014 and 2016, and developed by Banham as Scenographer and one of the lead practitioners within the company since its inception.
Original language | English |
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Place of Publication | Manchester |
Publisher | Quarantine |
Media of output | USB |
Publication status | Published - 22 Mar 2016 |