The Machine Stops Ink-Jet My Foot: Developing Strategies for Digital Lithography

Paul Croft, Kimberly Paul Arp, Helen Baribeau, Michael Barnes, Daniel Britton, Tom Christison, Alastair Clarke, Clinton Cline, Danielle Creenaune, Emily Arthur Douglas, John Driesbach, April Flanders, William Greider, Kevin Haas, Brian Kelly, Wayne Kimball, Judy Elizabeth Macklin, Richard Peterson, Shelia Pitt, Andrew PolkKathryn Polk, Kent Rush, Takahira Satoshi, Linda Seckinger, Cerese Vaden, Melanie Yazzi

Research output: Non-textual formExhibition

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International Portfolio of Lithography presented as an elaborate box set of 25 prints by 25 artists from USA, UK and elsewhere. Inspired by the short story The Machine Stops by E.M. Forster published in 1909, this portfolio provided artists with the opportunity to explore the interface between traditional and digital processes of printmaking as they are used in lithography. Organised and curated by Andrew and Kathryn Polk at The University of Arizona in Tucson, the prints were first exhibited at The Southern Graphics Council Conference in Richmond, Virginia USA. The work has subsequently been exhibited at other venues across the USA including University of Louisiana at Lafayette during August 2008, and at The University of Arizona in Tucson in August 2009.

The Southern Graphics Council has retained one complete portfolio and another set has been presented to The School of Art Collection at Aberystwyth University
Original languageEnglish
Place of PublicationTucson
PublisherUniversity of Arizona Press
Media of outputNon-digital
Publication statusPublished - 23 Mar 2008
EventSouthern Graphics Council Conference 2008 - Richmond, United States of America
Duration: 26 Mar 200829 Mar 2008


  • Lithography
  • Digital
  • Collaboration


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