The Net and the Self: Colliding Views of Individuality and Nationhood in the Pre-Devolutionary plays of Mark Jenkins and Ed Thomas

Thomas Roger Owen

The Net and the Self: Colliding Views of Individuality and Nationhood in the Pre-Devolutionary plays of Mark Jenkins and Ed Thomas

Department of Theatre, Film and Television Studies

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

Cool Britannia? draws on new research to create a critical framework for approaching the drama of this period. It examines the work of established playwrights as well as the generation of young writers who emerged in the mid-1990s and explores a wide variety of key issues including cultural politics and constructions of race and gender.

Original language	English
Title of host publication	Cool Britannia: British Political Drama in the 1990s
Publisher	Springer Nature
Pages	158-175
Number of pages	18
ISBN (Print)	978-1-4039-8813-3
Publication status	Published - 2007

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abstract = "Cool Britannia? draws on new research to create a critical framework for approaching the drama of this period. It examines the work of established playwrights as well as the generation of young writers who emerged in the mid-1990s and explores a wide variety of key issues including cultural politics and constructions of race and gender.",

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The Net and the Self: Colliding Views of Individuality and Nationhood in the Pre-Devolutionary plays of Mark Jenkins and Ed Thomas

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