TY - BOOK
T1 - The wye plays
T2 - The back of beyond and the battle of the crows
AU - Rabey, David Ian
N1 - rabey, David Ian, Wye Plays: The Back of Beyond and The Battle of the Crows (Chicago, Il: Chicago University Press, 2004)
* Acknowledgments
* On Being a Shakespearian Dramatist: An Approach to The Back of Beyond
* The Back of Beyond
* Hatched in Emptiness, Over Emptiness, But Flying: An Introduction to The Battle of the Crows
* The Battle of the Crows
* Afterword: Grace and Havoc: Shape-Shifting and the Imaginative Landscape of The Wye Plays, by Mick Mangan
* About the Author
* Further Reading
About Lurking Truth/Gwir sy’n Llechu
PY - 2004/1/1
Y1 - 2004/1/1
N2 - A first volume of plays by a startlingly ambitious and inventive dramatist.
The Back of Beyond takes, as its starting point, the route of a sequel to King Lear, in which the surviving Shakespearean characters set out on an odyssey through a perilous, blasted landscape, and encounter new agents of cruelty, desire and magic. Wildly humorous and fiercely shocking, the play charts a series of remorseless exposures, interrogating the idealisms and brutal repressions that have informed Anglo-Welsh relations whilst subverting Shakespearean motifs; tragically humorous poetic language and nightmarish visual imagery contribute to the sense of a land where the signposts have been smashed.
A sequel to The Back of Beyond, The Battle of the Crows extends and concludes the stories of three characters - a maverick witch, a renegade knight, and an abuse victim made empress - in a harrowing and humorous exploration of border warfare, witchcraft, massacre, bitchery, hilarity and heartbreak. The Battle of the Crows is partly a dramatic speculation about desire as magic, partly a sad reckless laugh at internecine hostilities and the passionate and disastrous transformations which spring up in the face of Death itself.
AB - A first volume of plays by a startlingly ambitious and inventive dramatist.
The Back of Beyond takes, as its starting point, the route of a sequel to King Lear, in which the surviving Shakespearean characters set out on an odyssey through a perilous, blasted landscape, and encounter new agents of cruelty, desire and magic. Wildly humorous and fiercely shocking, the play charts a series of remorseless exposures, interrogating the idealisms and brutal repressions that have informed Anglo-Welsh relations whilst subverting Shakespearean motifs; tragically humorous poetic language and nightmarish visual imagery contribute to the sense of a land where the signposts have been smashed.
A sequel to The Back of Beyond, The Battle of the Crows extends and concludes the stories of three characters - a maverick witch, a renegade knight, and an abuse victim made empress - in a harrowing and humorous exploration of border warfare, witchcraft, massacre, bitchery, hilarity and heartbreak. The Battle of the Crows is partly a dramatic speculation about desire as magic, partly a sad reckless laugh at internecine hostilities and the passionate and disastrous transformations which spring up in the face of Death itself.
KW - Choreography
KW - Poetry
KW - Rehearsal strategies
KW - Sound effects
KW - Theatre
KW - Voice
UR - http://www.scopus.com/inward/record.url?scp=84948740168&partnerID=8YFLogxK
M3 - Book
SN - 9781841501154
BT - The wye plays
PB - Intellect
ER -